Lost Butte, Montana, a book by Richard I. Gibson, is in stores and museum gift shops around Butte. Or order from the publisher. It's also in E-book formats at all the usual places. And read an interview with Gibson, here, and on KXLF here. The Facebook page has many historic photos of Butte, and the Butte-Anaconda NHLD project showcases many historic buildings. Location-oriented posts can be found on HistoryPin. On Mondays beginning in January 2016, look for Gibson's "Mining City History" column in the Montana Standard. Many of these blog posts have been converted to podcast episodes, available at KBMF.



Showing posts with label 1890. Show all posts
Showing posts with label 1890. Show all posts

Thursday, April 11, 2013

Iconography in Butte

Stained Glass window in Butte City Hall, 24 East Broadway.

By Richard I. Gibson

Yesterday on a walking tour, an observant student from Glendive, Montana, asked me about the significance of the Star of David in the stained glass in the 1890 City Hall (24 East Broadway). My answer was that it was not religious, but simply a popular geometric design. But the question spurred this inquiry into some iconic designs in historic Butte buildings.

Our buildings have a vast array of icons, from simple and complex artistic designs to emblems identifying a business, a building, or the year one or the other was established. The hexagram in the City Hall’s central upper window reflects a very long heritage. Most religions, including Judaism, Islam, Hinduism, Buddhism, and Christianity have used the symbol, although today it is most closely connected to the Jewish tradition. Heraldry in the Middle Ages employed it. It was even a symbol for the German Brewer’s Guild, and taverns in Nuremburg and elsewhere used it as a mark indicating that they had the legal right to tap beer. Today, some find occult and satanic significance to the hexagram.

Freemasons used the two interlocking triangles of the hexagram as a symbol for “the mingling of apparent opposites in nature, darkness and light, error and truth, ignorance and wisdom, evil and good, throughout human life.” (from Mackey, Encyclopedia of Freemasonry). It is possible that a Masonic connection to the builders of the Butte City Hall led to the hexagram in the stained glass, but the simpler explanation is that it is a simple, symmetrical, ancient, and popular geometric design that worked well with the Romanesque architectural style of the building.

* * *

Tile work on Dodge Brothers building, Park Street at Idaho.
Most Butte folks have probably noticed the swastikas in the tile work at the Dodge Brothers Auto Dealership, built in 1912 at the corner of Park and Idaho Streets. The swastika is another ancient design motif, dating to around 3000 B.C. in the Indus Valley Civilization. Apart from modern usage, it is probably most familiar to us today in Sanskrit traditions, where the symbol means “to be good,” or luck, or auspicious. In Chinese, it means “myriad” or eternity. Early Greek coins used the swastika, and Celtic bronze shields dating to about 300 B.C. are covered with them. Native American civilizations, from the Ohio River Valley to the Navajo and Panama employ swastika designs.

In the 1870s archaeological investigations at Troy, by Heinrich Schliemann, captured peoples’ imaginations, and the presence of swastikas there led to a resurgence of their use as design elements in Europe and America that usually symbolized good luck or success, if they symbolized anything. Schliemann’s work also led to the use of the swastika by German Nazis, ultimately stigmatizing the symbol in much of today’s world.

Because the swastikas at the Dodge Brothers building are combined with many other designs, including rampant lions, flowers, and simple geometric patterns, the likely explanation there is also likely pretty mundane: popular, pretty designs that the tile artist used for decorative effect, and little more.

Background information from Wikipedia and other online sources. Photos by Richard Gibson. 

Thursday, October 18, 2012

Harry D'Acheul and Kennedy Furniture Company

By Richard I. Gibson

Click any image to enlarge.


Parapet at 18-20 West Broadway today.
The parapet today says “Christie 1932,” but this building is much older than that. In the historic image here the sign says “D’Acheul 1890,” reflecting its origin. Harry D’Acheul, born in Missouri about 1845 to parents native to France, partnered with Prussian-born Henry Parchen to establish a prominent drug store in Butte that operated for many years at 32 North Main. The D’Acheul Drug Company in 1891 advertised that they were importers of assayers’ materials and dealers in paints, oils, varnish, and window glass. (Vignette of D’Acheul Drug Co. store from an invoice in Columbia University Avery Architecture & Fine Arts Library, 1891.)
32 N. Main, 1891
Parchen-D’Acheul had a store in Helena as well, where D’Acheul acquired a house at 804 Dearborn from its owner, Joseph Russell, who suffered financial reverses. D’Acheul then rented it to Conrad and Augusta Kohrs, who bought that house in 1900. In Butte, D’Acheul’s principal construction investment beyond his own business may have been the 1890 four-story business block at 18-20 West Broadway (sometimes given as 22-26 W. Broadway), today part of Jeff Francis’ Piccadilly Museum complex. It originally had a cast-iron ground-floor store front, visible in the historic photo below (from Freeman, 1900). Christie’s was the furniture company here beginning in 1932.

18-20 W. Broadway, 1900

1894 ad
In the 1890s the D’Acheul Block housed the Kennedy Furniture Company on all four floors. By 1900 Kennedy boasted “the most complete line of furniture to be found, probably, in the Northwest” (Freeman, 1900). Kennedy Furniture began in 1894, successor to the Northwestern Furniture Company. In addition to rooms chock-full of chairs, they carried hundreds of carpets, rugs, and tapestries. The ad here, from December 1894, shows a ladies’ desk—expensive at $9.35 but “worth $15.” The interconnected nature of Butte’s business community is reflected in the annotation of Henry Mueller, Vice President of Kennedy Furniture. He was also President of Butte’s largest brewery, the Centennial, and Mayor of Butte in 1891. Mueller lived at 218 West Park. His son Arthur, a later Centennial President, lived at 803 West Park and had the Mueller Apartments on Granite Street built in 1917 as an investment.

1894 ad
Harry D’Acheul was elected in October 1882 to serve as a director of W.A. Clark’s Moulton Mining Company, which in its first nine months of operation had produced $300,000 in bullion; as of October 21, 1882, the Engineering & Mining Journal reported that they had 10,000 cords of wood on hand. In 1884 D’Acheul was also co-owner of Butte’s first public electric plant on East Mercury Street, together with W.A. Clark, Patrick Largey, John Caplice, and W.M. Young. The investors had formed the Brush Electric Light and Power Company of Butte in 1882. The company initially generated power at the Burlington Mill, supplying electricity to first illuminate the business district with 25 light bulbs on December 6, 1882. One of those lamps was in Parchen & D’Acheul’s drug store. Two years later Parchen-D’Acheul’s store was the locale where Butte residents came to see the power of the then-new Brush-Swan Incandescent Lamp, which promised to be a bulb suited for general household use.

311 W. Granite, D'Acheul House
Harry and Hattie D’Acheul’s home still stands at 311 (313) West Granite. See this later post for a report on the 1912 fire that destroyed the original Parchen-D'Acheul store at 32 N. Main.




Image sources: Ads, Montana Standard, Dec. 31, 1894, from Library of Congress; Kennedy Furniture/D’Acheul Block from Freeman, 1900, A Brief History of Butte, Montana (scan by Butte Public Library); D’Acheul Drug vignette from an invoice in Columbia University Avery Architecture & Fine Arts Library, 1891; “Christie 1932” and D’Acheul House photos by Dick Gibson.